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There was a long, well-traveled box waiting for me on the porch as the mail truck made its smoky way to its next stop. Quickly bringing my prize inside I made a quick inspection of the box.
Inside was an ocean of packing peanuts that threatened to storm my living room floor with a tsunami of styrofoam. Carefully slipping a trash bag over one opened end of the box, I inverted the impending flood and vigorously shook loose everything from the box that was willing to leave.
With the peanuts safety in thrall, I drew the black case from it's snug confines and gave it the same cursory once-over as I gave the previously unopened box.
Opening the case revealed the hidden care with which the Viola was packaged for travel in the occasionally unfeeling world of the USPS. Cardboard had been carefully formed to protect against bridge collapse. Another piece served as insurance against a catastrophically unintended meeting of the minds between tailpiece and lower bout.
Finally extricating the CVA-500 from its full shroud of protection, I gently put it to my shoulder to pluck a bit of pizzicato. I couldn't help but chuckle when I realized that it was in a better state of tune straight out of a box from Florida, than my CVA-400 was when I played it earlier that afternoon.
I look forward to playing it often – and, every time I do – I will be reminded of the clever kindness and international efforts of my friends at Fiddlerman.com who saw fit to buy it on my behalf.
Again, I thank you all.
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I had hoped by now to post a video of me playing (around with) the new CVA-500, but it's sufficiently different from my CVA-400 to require more acclimatization. It seems that the angles for bow-crossings are shallower than with my 400, so I'm squeaking and honking my way through tunes I might've played with some greater degree of confidence otherwise. (note: "degree of confidence" is not to be confused with "degree of competence."
)Interestingly, I also discovered that the cases are fitted to each instrument individually, so that they aren't interchangeable. When I tried to place the 400 in the 500's case, I discovered that the lower bout on the 400 was too wide to fit in the hollow. Similarly, I can't just swap my shoulder-rest between instruments without a fair amount of adjustment. My son plays a 15 or 15.5 inch viola (I keep forgetting), and his shoulder rest fits just fine without any changes. Mind you, both instruments are supposed to be 16" models.
Interesting, isn't it?
Question: the ebony of the fingerboard looks very "dry." As ebony goes, it's a fairly low-end piece with a fair amount of brown marbling throughout. I think it would look better if it were oiled (boiled linseed or tung oil) or stained. Is this something that is just "not done," or am I OK to pursue this? I'm contemplating upgrading the strings, so that would be a convenient time for touching up the fingerboard.
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Barry I know the feeling! I would like to try a viola also because I prefer deeper/warmer sounds but cannot afford one, heck I'm still paying my violin lol.
HC, have you try building yourself a lesson sheet? Like give yourself 1 week to practice this technique on that song, then another week or 2 for somethign else. It helps to have deadlines!
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As an apology for not participating in the "He's a Pirate" project, and also to serve as an additional "thank you" to the fine folks who provided me with the CVA-500 from the Violaman.com contest, I though I'd better buckle-up and upload a video - squeaks, honks and missed notes be damned...
First pass is with a Cecilio CVA-400 and the second time is with the CVA-500.
Wow that's funny, the same thing followed me home.. maybe it's a viola epidemic?
With two jobs and summer classes, I haven't been able to try mine out yet
I'm lucky if I get to sleep. Ahh the life of a poor college student.But from you've played it sounds like it has a good quality to it and I'm really excited to start! Did yours come in that fancy soft case too? I spent ten minutes just admiring the case. It was so fuzzy!
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Jessica said
Wow that's funny, the same thing followed me home.. maybe it's a viola epidemic?With two jobs and summer classes, I haven't been able to try mine out yet
I'm lucky if I get to sleep. Ahh the life of a poor college student.
But from you've played it sounds like it has a good quality to it and I'm really excited to start! Did yours come in that fancy soft case too? I spent ten minutes just admiring the case. It was so fuzzy!
You can see pictures of the case it came in above. Allowing for some production variations, I'd imagine they are all the same.
Be sure and send us some pictures of you and your prize when you get a chance!
Jessica said
Wow that's funny, the same thing followed me home.. maybe it's a viola epidemic?With two jobs and summer classes, I haven't been able to try mine out yet
I'm lucky if I get to sleep. Ahh the life of a poor college student.
But from you've played it sounds like it has a good quality to it and I'm really excited to start! Did yours come in that fancy soft case too? I spent ten minutes just admiring the case. It was so fuzzy!
BTW Jessica,
Do you know the story of how Keith got the viola? One of our members on Fiddlerman.com felt bad that Keith (HeadCheese) didn't win and started a fund raiser for him through private messages. It didn't take long for him to get the money necessary which is what essentially paid for the viola sent to you.
Great story huh? I'm glad that you both got one. Couldn't be a better ending to this contest. Hope you both get many great hours from your instruments.Regulars
So you viola folks don't miss out, I will re-post my comment to HC's video here too:
What do you do with a drunken violist?
What do you do with a drunken violist?
What do you do with a drunken violist ear-lie in the morning?
Practice his bowing until his ears ring
Practice his bowing until his ears ring
Practice his bowing until his ears ring ear-lie in the morning!
I look forward to seeing Jessica in action too!
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